adelaidesean: (squid)
Another mixed bag, reflecting more books read on planes, books picked up secondhand, recommendations, work reading, and impulse purchases. Not sure what I'll move onto next. There are still ten Patrick O'Brian books in my stack, but I'm savouring them, knowing I'll be devastated when there are none left...
  • The Strange Case of Origami Yoda by Tom Angleberger (cute)
  • Sense & Sensibility by Jane Austen (not as satisfying as Pride & Prejudice but funnier)
  • Parable of the Talents by Octavia Butler (really wanted to like it as much as other books I’ve read by her, but couldn’t finish it)
  • Blacksad by Diaz Canales and Guarnido (brilliant)
  • Worth Dying For by Lee Child (as smooth and sharp as an icepick, but much more enjoyable)
  • f2m by Hazel Edwards and Ryan Kennedy (terrific)
  • Florence & Giles by John Harding (couldn’t finish)
  • The Mad Hatter’s Holiday by Peter Lovesey (in progress)
  • The Prestige by Christopher Priest (liked it much more than the movie, which I loved--so it gets a huge thumbs-up from me)
  • Galileo’s Dream by Kim Stanley Robinson (moving and fascinating)
  • The Night Watch by Sarah Waters (the weakest, to my eyes, of her recent novels, but still awesome, and so much better than I could ever write)
BTW, I've started posting this information over at goodreads as well, so if you're interested in watching it unfold in real time, pop by and take a look.

This is also a test cross-post to Facebook and Twitter. Fingers crossed!
adelaidesean: (robot)
My love affair with Sarah Waters continues this month, between rewrites and flights hither and yon. Apart from that, I've been all over the place. Got a huge stack of YA, graphic, and crime novels lined up next, but I think my heart will belong to the Nineteenth Century for a while yet. Or else I'll read The Lord of the Rings for the first time in twenty-odd years. Or something else entirely...

All suggestions welcome!

  • Tiny Acts of Rebellion: 97 Almost-Legal Ways to Stick It to the Man by Rich Fulcher From The Mighty Boosh (now legally his full name) (I’m not going to review this book, I’m not!!*)
  • So Cold the River by Michael Koryta (thanks Renée!)
  • Disquiet by Julia Leigh (so incisive and brilliant it triggered a nightmare AND an epiphany)
  • The Life and Times of Johann Sebastian Bach by Hendrik Willem van Loon (delightfully quaint)
  • The Well at the End of the World by A J Mackinnon (hilarious and rather unnerving in that Sandy is a friend of mine and I lost count of the number of times he almost died by the end of the book)
  • Encyclopaedia of Snow by Sarah Emily Miano (didn’t finish)
  • The Adventures of the Princess and Mr Whiffle: The Thing Under the Bed by Patrick Rothfuss (the boys in my household just love things with teeth)
  • Captain Long Ears by Diana Thung (touching)
  • Affinity, Tipping the Velvet, and Fingersmith by Sarah Waters (perfect, genius, inspiring, wonderful)
  • The Poets of the Powers by Kamil V. Zvelebil (for research, and bloody fascinating it was, too)
* Oh, all right. It was brilliant.
adelaidesean: (blob)
So many books, so little time...

Still overloaded with boofy old blokes, and finding female thriller writers remains difficult (as opposed to female crime writers; there's a ton* of those). I have a Fred Vargas lined up soon. She is awesome, but I wouldn't call her a thriller writer, really. Same with Sarah Waters, who I've been meaning to read for years. (It was worth the wait.)
  • Phobos: The Robot planet by Paul Capon (thanks Jeff!)
  • Doctor Who and the Destiny of the Daleks by Terrance Dicks (thanks Mondy!)
  • Choke Point by Barry Eisler (even better than the first two in the series)
  • Elidor by Alan Garner
  • There was an Old Lady who Swallowed a Fly by Jeremy Holmes (cute)
  • Envy the Night by Michael Koryta (a surprisingly beautiful entry in a field that's full of so much average crap--highly recommended)
  • Dapper Caps & Pedal-Copters and The Annotated Wondermark by David Malki (with bonus illustrations, huzzah!)
  • The Philosopher's Stone: A Quest for the Secrets of Alchemy by Peter Marshall (a bit credulous, and therefore not as good as that book on the Masons I read a while back, but contains loads of material for a new project I'm working on)
  • The City & The City by China Mieville (probably the only Hugo nominee I'll get to before Worldcon, alas)
  • Understanding Comics: The Invisible Art by Scott McCloud (like Ways of Seeing but with better pictures--thanks, Scott!)
  • Bride Flight by Marieke van der Pol
  • Bleed for Me by Michael Robotham (awesome, his best yet)
  • Beautiful Lies by Lisa Unger (didn't finish--too much set-up for what was obviously going to be a long-running series)
  • The Little Stranger by Sarah Waters (like Envy the Night, I didn't want this to end)
* That's clearly not the right collective noun, but something witty refuses to come to me. Any suggestions?
adelaidesean: (destination: prague)
At [livejournal.com profile] mondyboy's instigation, I recently re-read Terrance Dick's Target novelisation of The Destiny of the Daleks . I enjoyed it, too, and was reminded of how much I loved them as a kid. Given I'm moving more and more in that direction, creatively, why not read more? So I asked myself--leading to my question for you, dear friends, or at least the sad old Who fans* among you:

Which Target novelisation should I read next?

I asked this question on Facebook and was guided in the direction of The Time Warrior. It's tempting, but I remain open to suggestion...

* Like me.
adelaidesean: (squid)
I've been trying to rest my wrist these last few weeks, and travelling, hence the large number of titles here in a relatively short time.

Lots of blokes, again, and some of them missed the mark completely, for me. Does anyone know any good female thriller writers?
  • Last Man Standing by David Baldacci (didn’t finish)
  • The Bricklayer by Noah Boyd (didn’t finish)
  • 61 Hours by Lee Child (wonderful)
  • House of Leaves by Mark Z. Danielewski (astonishing)
  • Hard Rain by Barry Eisler (great)
  • Jumper and Wildside by Steven Gould (absolutely amazing)
  • Silence of the Lambs by Thomas Harris (brilliant)
  • Liar by Justine Larbalestier (also brilliant)
  • The Crime of Huey Dunstan by James McNeish (didn’t finish)
  • 1964: The Year of the Great Romance by Evelyn Schiller (actually just my grandmother’s diary of the year my parents’ met, but that’s what I’d call it if it were a book)
  • Uglies, Pretties, Specials and Extras by Scott Westerfeld (bubbly!)

adelaidesean: (It)
This takes me back to the end of October and covers books I read while I was writing two of my own.  One was a kids' book, hence the old favourites listed here, the other intended to be, um, more thrilling than introspective, hence the thrillers.  I am what I eat, at least where books are concerned (were it literally true, I'd currently be made of chocolate, wine and vegetables) so I try to read only things that make me write both on-topic and better.  The classics were mostly read on planes.
  • Pride and Prejudice by Jane Austen, annotated by David M Shapard (finally!)
  • The Winner by David Baldacci (contained sex scenes that literally made me laugh out loud)
  • The Black Russian by Lenny Bartulin (the finest crime writer in Australia, hands down)
  • Pilot Light by “Williams Ashbless” (Tim Powers and James P. Blaylock) (huh?)
  • Servant of the Underworld by Aliette do Bodard (wonderful)
  • The Haunted Hotel by Wilkie Collins (deliciously OTT)
  • The Dark is Rising, The Grey King, and Silver on the Tree by Susan Cooper (they age not)
  • Rain Fall by Barry Eisler (how could a Japanese hit man not be fun?)
  • The Owl Service by Alan Garner (I’d forgotten how creepy this is)
  • The Gigantic Robot by Tim Gauld (great title, great art, and surprising depth for so few words)
  • Even by Andrew Grant (not a patch on his awesome brother, alas)
  • The Bus Driver Who Wanted to be God by Etgar Keret (strange and surprising)
  • Masonic Myth: Unlocking the truth about the symbols, the secret rites, and the history of Freemasonry by Jay Kinney (everything I ever wanted to know, and then some)
  • The Breach by Patrick Lee (“spicy death sauce” indeed--recommended!)
  • Valnir’s Bane by Nathan Long (fun, fast, violent--exactly the right thing at exactly the right time)
  • Professor Stewart’s Hoard of Mathematical Treasures by Ian Stewart (I’m glad he didn’d keep them to himself)
  • Leviathan by Scott Westerfeld (very, very kewl)
  • The Picture of Dorian Gray by Oscar Wilde (hilarious, except for the boring bits)
adelaidesean: (outhouse)
This doesn't seem like a month's worth of reading to me, but it doesn't include a couple of books that aren't out yet, which I was fortunate enough to read in ms form.  So that makes me feel a bit better.
  • The White Mountains by John Christopher (an old fave)
  • Astonish Yourself: 101 Experiments in Philosophy of Everyday Life by Roger-Pol Droit
  • Sum: Forty tales from the afterlives by David Eagleman (mind-blowing)
  • The Ode Less Travelled by Stephen Fry *
  • Keystone by Peter Lovesey (my favourite crime writer)
  • Beards of our Forefathers and Clever Tricks to Stave Off Death (Wondermark) by David Malki (hilarious!)
  • The Straw Men, Michael Marshall (awesome!)
  • WomanSpeak, Louise Nicholas and Jude Aquilina (clever, and funny too)
  • Dark Country by Bronwyn Parry
  • The Math Book by Clifford A. Pickover (maths never looked this good)
* In truth, I haven't finished the Fry yet.  I insist on doing the exercises and work unfortunately has got in the way.  I will get back to it, though, and I'll resist the temptation to post the results here. :-)
adelaidesean: (rees)
I've also been reading in recent weeks. Here's what. Thanks to everyone who suggested titles or sent them as trades. All of them so far have been terrific!
  • Necropolis: London and its Dead, by Catharine Arnold
  • A Book of Endings, Deborah Biancotti
  • Wuthering Heights, Charlotte Bronte
  • Into the Silence, S H Courtier
  • The Mystery of Rosa Portland, Diane Fahey
  • The Nimrod Flip-Out, Etgar Keret
  • Laughing Buddha, Daniel G Lanoue
  • Einstein's Dreams, Alan Lightman
  • Deaf Sentence, David Lodge
  • Wild Surmise, Dorothy Porter
  • The Shrieking Pit, Arthur J Rees
  • Writers of the Future XXV, ed. K D Wentworth
I can't believe it took me so long to read Wuthering Heights.  It was awesome, in a terrifying way.  (Still can't believe it wasn't intended as a satire, and I still can't tell if that it makes more or less a brutal experience.)  I was thinking of Sense and Sensibility next, or maybe Cranford.  Any other suggestions?
adelaidesean: (magritte)
I've been writing a lot lately, but that doesn't mean I haven't been reading as well. Here's the latest list:
  • Amy Barker, Omega Park (terrific)
  • Idan Ben-Barak, Small Wonders: How Microbes Rule Our World
  • Ronald H. Fritze, Invented Knowledge: False History, Fake Science and Pseudo-Religions (fascinating)
  • M. J. Hyland, This Is How (puzzling)
  • Stephen M Irwin, The Dead Path (engrossing despite its faults)
  • Cate Kennedy, The World Beneath
  • Mark Mclaughlin, The Spiderweb Tree (bizarre and lovely)
  • Peter McMillan, One Hundred Poets, One Poem Each (A Translation of the Oguta Hyakunin Isshu) (best book I've read for ages)
  • Alan Moore, The League of Extraordinary Gentlemen, Volume III, Part 1
  • Finn Nettelbeck Monteath, The Three Little Gazelles and the Big Bad Hyena (not bad at all for a 10-yo!)
  • James Stimson, Thirteen O'Clock
  • Fred Watson, Why is Uranus Upside Down?
What's have you been reading?  I'm looking for suggestions.

adelaidesean: (haighs)
Because I'm anal that way, I'm still keeping track of the books I read. Only two speculative novels in recent months, and they're both old favourites (I performed an excerpt of the Wilson recently, and was compelled to keep going). Most of the genre titles I'm picking up these days are for blurbs and they aren't out yet. At least there are some more ladies on the list, though...
  • Angela Carter: The Bloody Chamber
  • Lee Child: Gone Tomorrow
  • Michael Chorost: Rebuilt
  • Mrs Gaskell: The Grey Woman
  • Andy Griffiths: Pencil of Doom!
  • Robert A Heinlein: Have Spacesuit--Will Travel
  • Jeff Lindsay: Dexter by Design
  • Alan Moore et al: The League of Extraordinary Gentlemen (Volumes 1 and 2), Watchmen
  • Patrick O'Brian: Desolation Island, The Fortune of War, The Surgeon's Mate, The Ionian Mission, Treason's Harbour, The Far Side of the World, The Reverse of the Medal
  • Dorothy Porter: What a Piece of Work, El Dorado
  • Robert Anton Wilson: The Universe Next Door
What are you reading at the moment?  Is there anything I should add to the pile?
adelaidesean: (squid)
A while back I was interviewed by Valerie at the Sydney Writers' Centre. The podcast and transcript are now available right here.

It's handy having a transcript because sometimes I forget what I've burbled on about. This time I can tell you with 100% confidence (and reveal via the tabs below) that we covered pretty much everything. :-)
adelaidesean: (dog collar)
Sometimes I feel bad about not reading enough "capital-L" literature.

Then I remind myself that as a mad teenager I once read James Joyce's Ulysses from cover to cover, which surely earned me enough enduring lit-cred to never have to read again.

Everyone should have a book like that, I reckon. Do you? If so, what is it? Gravity's Rainbow? War and Peace? The Grapes of Wrath?
adelaidesean: (outhouse)
My piece for the Victorian Writers' Centre on the books I read in August inspired me to keep track of what I've read since. The short answer is: still not much SF and still hardly any books by women. But here it is, with micro-reviews attached:
  • Philip K. Dick: Flow, My Tears, the Policeman Said (timeless)
  • Isaac Asimov: The Return of the Black Widowers (endless)
  • Robert Goddard: Name to a Face (awful)
  • Michael Robotham: The Suspect, Lost, The Night Ferry, Bombproof, Shatter (varying degrees of brilliance)
  • Jeffrey Deaver: The Vanished Man (uninspiring)
  • Jon Evans: Invisible Armies (started well but lost me halfway)
  • Steven Hall: The Raw Shark Texts (awesome)
  • Fred Vargas: Seeking Whom He May Devour (a clunky translation from original French but ultimately quite affecting)
  • Caitlin R. Kiernan: Tales from the Woeful Platypus (stunning)
  • Patrick O'Brian: Master & Commander, Post Captain, HMS Surprise, The Mauritius Command (amazing, of course)
Given that I still have 17.5 Patrick O'Brian books to go, plus reading for Clarion and the Somerset National Novella Competition over Dec/Jan, plus a couple of books to blurb, I'm guessing it'll take me a while to get to all the books I bought at Worlcon...

----------------
Listening to: Patrick O'Hearn - upon solitary expanse
adelaidesean: (dog collar)
The Victorian Writers' Centre runs a nifty column in its newsletter. Each month an author is invited to track every book he or she buys or is given, then reads, in that month. I was honoured to be writer chosen for this month's edition.

The piece I wrote for their September newsletter is below the cut (for readers outside the subscription area). There's Doctor Who, there's crime, and there's stuff that's hard to classify. As an addendum, I'd say that I didn't much like Robert Goddard, thought the Deaver and Jon Evans books were okay, and am now firmly hooked on Michael Robotham. (And I really must get around to reading more books by women. Whoops.)

I've also become addicted to Slacktivist's critique of the "Worst Books Ever Written": Tim LaHaye and Jerry B. Jenkins' awesomely awful Left Behind: A Novel of Earth's Last Days. Alternating between hilarious and outraged, the posts are interesting and insightful, and good reading for writers of all stripes. Here's a quote:

"For anyone interested in writing, Left Behind is like one of those grisly films they show in driver's education classes -- offering a graphic illustration of the disasters that can occur from carelessness behind the wheel. On another level the book also illustrates, on nearly every page, the unreality, monstrousness and impossibility of the very ideas it seeks to promote."

So check it out--here, or in chronological order (via an index that doesn't take you quite to the end) here.

It was worth the investment, imho, for this (which explains the second of the two headings to this post).

A Month of Reading... )

do wot?

Oct. 31st, 2006 08:56 am
adelaidesean: (saturn returns)
Ken of Nethspace hurled a wide-ranging series of questions at me over the weekend for an interview on Wotmania, a large on-line community that started as a website devoted to Robert Jordan's Wheel of Time series and has since grown into several sub-communities, including one that discusses all things speculative. The conversation covers everything from religion to midgets, and includes my thoughts on the recent debate about SF and its audience (as triggered, chronicled and commented upon by Lou Anders). See the tags below for a more comprehensive list of topics.

Ken has posted the interview on his blog, or you can read it at Wotmania.

Meanwhile, The Crooked Letter (which has gone into its fifth reprint here in Australia) and The Devoured Earth are both reviewed over at Australian Specfic In Focus!.

There are a couple of recent developments that I'm not, at present, allowed to talk about. All I can say is that they're excellent and promise to make my life considerably better and more interesting in coming times. I'll report here when I can. Stay tuned.
adelaidesean: (magritte)
I've talked elsewhere about reading, and in particular how my working life has influenced my reading habits. The latter is definitely reflected in this short list of my stand-out books for the last twelve months:

Sarah Armstrong, Salt Rain
Tegan Bennett Daylight, Safety
Helen Garner, The Consolation of Joe Cinque
John Harwood, The Ghost Writer
Gail Jones, Sixty Lights

Only one of them is remotely genre (The Ghost Writer, although speculation about the future from a 19th Century perspective is an important part of Sixty Lights) and not all of them are new releases. Every one of them thrilled the writer in me as well as the reader. And hey, they're all by Australians.

That's not say that I haven't read any genre novels in the last twelve months or books by authors from outside our borders, or that I don't have a towering to-read pile of the same awaiting their turn. They're just being overshadowed at the moment. I get my genre fix from shows like Lost, Battlestar Galactica, and Dr Who (although these too stand in the shadow of mighty Deadwood).

Whether the tide will turn any time soon depends entirely on what lands on my desk next. Whatever it is, in whichever genre, all I hope is that it's brilliant.
adelaidesean: (beach)
Sometimes being a writer is more about reading than writing. Sometimes reading swamps writing entirely, a situation I find myself in at the moment.

I don't mean reading over my own work during the editing process; neither do I mean reading for review or research. During October, I'll be reading as a judge for the Aurealis Awards and the Writers of the Future Contest. I'm assessing grant applications (which includes scrutinising support material by the box-load) for Arts SA. I'm perusing submissions for the ever-expanding Big Book Club. And I'm looking at a galley from a friend in the States with a view to providing a blurb.

All of these things are important. All of them take time. There are days in the middle of writing a novel when I would kill for an afternoon reading a good book (aka falling asleep on the couch with a hardback plopped over my face). Seems all those wishes are coming true at once this month.

I'm not complaining. I'm actually looking forward to it. It counts as input, and I can't let myself nod off while reading this kind of stuff. Any one of these books or stories could inspire me in unknown ways. I might even read something that will change the way I think about fiction forever. It's possible. Isn't that why we let stories into our lives in the first place? To change and inspire us?

It's also a pleasant change of routine. Before I know it, I'll be back to doing what I normally do and wishing for moments like these. By anyone's standards, reading for a living looks very much like luxury.

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