adelaidesean: (Default)
I've been saving my favourites until last.

The tractor below appears only a couple of times in the story, but David picked up on it and used it to perfectly capture the blend of old and new that runs through these books. I'd love to own a model of it.



And these are three small illustrations that David drew for chapter endings and the like. The butterfly pin is exquisite.



This concludes the series of pictures David Cornish drew for The Changeling. I'm deeply honoured to have had part of one of my books illustrated by such an amazing artist. Whether we get the chance to finish the project or not, I'm still left with a wonderful collection of images, one or two of which I'll have framed. Alongside the original illustrations Shaun Tan created for a couple of my early stories and the Greg Bridges cover for Metal Fatigue, the originals of which I also own, these will get pride of place.
adelaidesean: (Default)
The Changeling is set in the same world as The Books of the Change and The Books of the Cataclysm, so there were always going to magical hi-jinks along the way.

In this illustration, David took another unexpected turn, one I particularly like. To have Ros busting out of the frame like this is very appropriate at that point in the story.

Having artists take your words and add their own creativity to them is a humbling experience. It's hard, afterwards, to draw a clear line around the work and state with any confidence where ownership lies. Certainly, my mental images of Ros, Kuller and the camel changed after seeing David's work. I'm very sad he didn't get to finish the project, as I'm sure he would've done amazing things with crabblers (yet more giant spiders), gypsies, golems, and a one-eyed Stone Mage...



Next...

"Ros could have stopped there but the flame kept coming. He emptied all his rage and frustration into it, all his despair and fear and uncertainty, all the betrayal he felt from his family and all the hatred he felt at himself."

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adelaidesean

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