adelaidesean: (green sun)
I've talked elsewhere about my thoughts on privacy--that it's an over-rated, artificial concept our culture clings to without real analysis. And Geodesica: Descent features a society in which privacy is actually illegal. (Surprise, surprise: in my mind, it's not dystopian at all.)

So here's an interesting article by Emily Nussbaum on this very topic, pointing out what may be a fundamental societal shift happening right before our eyes.

Quote: "It’s been a long time since there was a true generation gap, perhaps 50 years--you have to go back to the early years of rock and roll, when old people still talked about 'jungle rhythms.' ... [I]n the past ten years, a new set of values has sneaked in to take its place, erecting another barrier between young and old. And as it did in the fifties, the older generation has responded with a disgusted, dismissive squawk."

It's worth a read, and not just for spec fic writers building their version of the 2050s. This is the world we're living in right now, after all. Us oldies just haven't noticed yet.

Another quote: "For anyone over 30, this may be pretty hard to take. Perhaps you smell brimstone in the air, the sense of a devil’s bargain... It’s not as if those fifties squares griping about Elvis were wrong, after all. As Clay Shirky points out, 'All that stuff the elders said about rock and roll? They pretty much nailed it. Miscegenation, teenagers running wild, the end of marriage!'"

If the current generation is actively (if unwittingly) re-writing the rules of privacy and social interaction so wildly, what does that mean in the long-run? I don’t know. These things are so hard to predict in advance. It might usher in an era of two-way transparency, where "Big Brothers" can be spied on just as much as they can spy on us. Or it might have the opposite effect.

Maybe the baby-boomers will keep running the world, but the young folk will be too busy looking at each other to notice.
adelaidesean: (Default)
Geodesica: Descent is out in the USA, in two forms: there's the mass market paperback from Ace and the hardcover omnibus (with Geodesica: Ascent) from SF Book Club. Feedback from readers has been terrific. I'm really pleased that it seems to be hitting the mark.

Sci-fi Wire ran an interview with Shane and I last week. See here for the full text.

Meanwhile HarperCollins Australia, which will be publishing Geodesica: Descent in April, has posted an excerpt (and a glimpse of the redesigned cover) to their website here.

And lastly, Geodesica: Ascent may have been pipped at the post at last week's Aurealis Awards, but it has picked up a nomination for the Ditmar Awards to be announced in April, giving me my fifteenth nomination for this award. Fingers crossed.

More good news to come on other fronts. Expect an update in the next day or two!

Sean
adelaidesean: (Default)
A couple of pleasant pre-Xmas items:

(1) Geodesica: Ascent has been nominated for an Aurealis Award in the Science Fiction section. (Follow the link for the complete list of nominations.) Results announced in Brisbane Feb 25.

(2) I've been asked to be a judge for the Festival Awards for Literature, announced at Adelaide Writers' Week in March next year. The reading schedule will be a bit stiff (107 books arrived a couple of days ago, all due to be read by mid-January) but it'll make a nice change from writing... and judging the WOTF... and making merry. :-)

Cheers,
Sean
adelaidesean: (Default)
It had to happen eventually--or so I always told myself, more than a little hopefully. Ansible 220 features the following:

"THOG'S MASTERCLASS. _Words Fail Dept._ `Flast broadcast the nonverbal equivalent of a shrug.' (_Geodesica: Ascent_, Sean Williams & Shane Dix, 2005) [MC]"

The big question is: who wrote the sentence? :-)

S
adelaidesean: (Default)
"...energetic and concise. The plot rollicks along, propelling the reader into the action. Plush with imaginative detail..."

That's what Phillippe Cahill reckons of Geodesica: Ascent in the latest issue of Cosmos, words for which I'm very grateful. Thanks also to Simon Brown for alerting me to the review. It's great exposure.

Lest, however, I end up taking credit for work I didn't actually do, I should point out that the anthology Terror Australis was in fact edited by Leigh Blackmore, not me; similarly, The Oxford Book of Australian Ghost Stories was edited by Dr Ken Gelder of the University of Melbourne. And any fans excited by the thought of Shane and I working in the Star Wars universe will be pleased (and probably unsurprised) to know that our New Jedi Order: Force Heretic trilogy is not a work in progress, but was published in its entirely in 2003.

Bios are tricky things.

Cheers,
Sean
adelaidesean: (Default)
The Weekend Australian ran a great review of Geodesica: Ascent over the weekend:

"Geodesica: Ascent is the sort of cutting-edge, grand-scale science fiction that dazzles and entertains even as it threatens to overwhelm us with its implications of a post-human tomorrow."

Thanks to Terry Dowling for the kind words, and to Margo Lanagan for pointing them out to me.

Terry is always careful to give credit to the authors, especially if they're local, so I assume a subeditor was responsible for removing all reference to Shane and I from the review. Still, a plug is a plug, and I'll happily accept this one, even if it doesn't have my name on it. :-)

S
adelaidesean: (Default)
Cath Ortlieb had this to say in the Journal of the Australian Science Fiction Foundation:

"I never thought I'd be grateful to be stuck for over two hours in a doctor's waiting room, but I was as it enabled me to read uninterrupted. The story has many elements: relationships, intrigue, space battles, what should be sacrificed for 'peace and order', nanotechnology and even the nature of privacy.
"The only frustrating thing about the book is that it is obviously the first part of a series and I can't wait for the next installment."

I'm expecting the ms of the second book for editing any day now. It's still scheduled for January next year. I hope people like it as much as the first one...

S
adelaidesean: (Default)
Tim Lloyd of the Adelaide Advertiser (he of the legendary "vacuous" review for TRM) was more impressed with this year's releases.

Of THE BLOOD DEBT he had much to say: "South Australian writer Sean Williams has been deeply ensconced in his Austral fantasy land for some years now, but his latest book is his clearest vision of the place. It is as though it has been gradually emerging as Williams writes, and now, in THE BLOOD DEBT (...), the plot lines are clearer and more engaging, and the landscapes more closely articulated.

"Williams has been wrestling with a setting that was larger than any single book, and that is a very satisfactory thing. Most fantasy writers have a set-piece, battlefield kind of approach to their worlds, adding extra levels of fable or fiction to keep them interesting. But Williams has been much less mechanical in his approach, stepping through time, and coming from unexpected angles. This time, however, the sense of connectedness in all his landscapes and books is palpable, and various difficult-to-resolve threads have begun to twirl together. ...

"Williams' writing is suffused with themes of orphanhood, broken parenthood and flawed relations, and in this book the emotional themes and the physical landscape truly begin to reflect one another. It's the best of the books so far..."

He also liked GEODESICA: ASCENT, calling it "high-class", for which I'm very grateful.

When the Advertiser reported the Ditmar/Aurealis win, they omitted the word "fantasy" from the all-important sentence -- "THE CROOKED LETTER is the first novel in Australian history to win the Ditmar and Aurealis awards -- but it was still great to get a mention.

SA LIFE, a fancy glossy spread that comes out once a month, ran an article about "Men of Words, Ideas & Flair". Fellow author (and dude) Max Anderson interviewed me for the piece, and he very kindly described me as "an especially good writer, one very dedicated to his craft. The rhythm and meter in his prose works a deft magic on his readers; he very quickly renders himself invisible, the perfect "glass pane" through which we see his imaginings."

Max is a forthcoming Big Book Club author, so anyone reading this in SA should check him out.

S
adelaidesean: (Default)
In the same spirit as the previous post, Phillip Knowles of Good Reading magazine reviewed ASCENT this week and had the following to say:

"Like their last trilogy...the authors are venturing firmly into Vernor Vinge territory, but luckily seem to have the ability to write faster. You won't have to wait ten years between books from this pair, but if you enjoy this 'hard' space opera as much as I did, it might feel like it. Bring on book two."

Hurrah!

And here's a review from Scott''s Science Fiction Book Review:

http://www.smbaker.com/scifibooks/geodesica.html.

I'll post more as they appear.

S

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