adelaidesean: (grand conjunction UK)

One quick thing before I go.  Gary of Concept Sci-fi has given me my second review of The Grand Conjunction, and it's as exciting as the first.  Not just for lines like "epic space scenes spanning portions of time that the mind can barely comprehend" and "the words just seem to flow so easily that you're halfway through the book before you even realise it" and "an absolute winner and a joy to read", although they are of course wonderful on every level.  I'm excited for two other reasons.

One: Gary liked the ending.  "All of the loose ends are tied up nicely, and you're left with a nice warm 'cosy' feeling rather than a 'is that it?' feeling."  That concurs with Liviu Suciu's "the ending is pitch perfect", and suggests that I nailed at least one of my objectives (perhaps two, counting the humungous space battles).  After being criticised for leaving readers unsatisfied in previous series, I was determined to do it differently this time. I listen to feedback, and I know there's always room to improve. Looks like I did something right here.

Two: Gary again echoes Liviu, who said about the beginning, "I had to close the book and look at the cover to make sure I am reading the right book and then flip some pages to make sure pages from another book were not inserted inside by mistake - so great was the cognitive dissonance I suffered".  Gary's response was similar: "My initial reaction on pages one and two was 'what the hell has this got to do with Astropolis?' But the truth is that this bit of the book was actually the best bit for me."  He concludes: "Sean really has proved that he's an exceptionally talented writer who doesn't just do sci-fi and fantasy - Sean, if you're listening, you REALLY should write a detective novel!"

I'm listening, and I'm very pleased indeed.

adelaidesean: (city painting)
Long-term readers will remember the noirish novella I wrote in 1994 called "The Perfect Gun", which used the lyrics of the still-awesome band MC 900ft Jesus as a plot-point. Some might even remember talk of turning it into a novel, Widow of Opportunity, about a PI unravelling a science fictional plot in a far-future city dressed-up to look like the twentieth century.

Well, that title has fallen by the wayside, but the impetus to pursue that story has never faded. And finally it's going to see print.

Here's an excerpt. At the end of the excerpt is the name of the book. Why am I being so coy? Because the connection between this story and the one it's now part of might seem a little unlikely. But when you take out MC 900ft Jesus and insert a certain early-80s electro pioneer, it starts to make sense...

"The sky changed no less than three times on the way to the detective's office."

(Here and here are two other excerpts from the same novel.)
adelaidesean: (Default)
A great review from Greg L Johnson at the SF Site:

"[T]here's plenty in The Resurrected Man for readers of both mysteries and science fiction. Combining the two is an art form whose standards were established in classic works like Isaac Asimov's The Caves of Steel and Alfred Bester's The Demolished Man. Sean Williams' The Resurrected Man is a worthy addition to this little sub-genre, and should appeal to any readers who like having their cutting-edge social speculation wilded up with a bit of serial murder mystery and gore."

I'm really digging all the references to The Caves of Steel. This was one of my all-time favourite novels when I was younger, and I was so glad that the movie I, Robot didn't go anywhere near it. No one's mentioned Dr Who and the Robots of Death yet, though, and I have to remind myself that that's probably for the best. :-)

S

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