adelaidesean: (pirate)
I am not a DJ.

This is what I learned at the WORD festival last week.

Specifically, I learned it from Andrew McClelland, he of the Somewhat Accurate History of Pirates fame, who performed a deliciously salty reading at the beginning of my Meet The Author session last Wednesday.

While chatting in the green room, he observed that both of us claim to be DJs when in fact we are selectors. That is, we pick songs and play them in order. No beat-matching, sampling, juggling vinyl, or anything fancy like that. It's still pretty neat, but I feel guilty now that I've misrepresented myself to the public by boasting of skills I don't actually possess.

There's a k in selector, apparently, but as I can't remember where it's supposed to go, I can only claim partial illumination on the subject.

WORD up

Mar. 24th, 2007 11:16 am
adelaidesean: (fringe ticket)
Well, Adelaide's newest writers' festival, WORD, has come and gone. It was a riotous event*, despite the best efforts of the weather, and a successful one, I think. Thanks to the participation of some truly stellar guests--including Anna Funder, Shaun Tan and Richard Flanagan--and helped in no small part by a large supporting cast of actors, comedians, techies and volunteers, the last three nights have covered everything from serious discussions of politics and death right through to the popular Read Dating and Prose Jam improv events in the Cane Corner-inspired bar. I really enjoyed it.

That last sentence needs some elaboration. Normally I find writers' festivals a bit dry. I yawn through panels--often purely because they're scheduled in the afternoon, when I'm always sleepy, but sometimes because of the content--and I begin to dread yet another round of speechifying, no matter who's on the bill. The demographic spread of the crowd is often limited, demonstrating that the event is appealing to only a narrow section of the community, to which I sometimes do not belong.

Science fiction conventions, on the other hand, enjoy a much blurrier line between panel and audience, an informal approach to author presentations, and a clear emphasis on entertainment, mingling at the bar, and late nights. For me, therefore, they have an unending appeal.

On the second night of WORD, it occurred to me that I had attended most of the programmed events and was actually looking forward to those that remained. And I realised that WORD had managed to combine the best elements of both sorts of event. It was a deeply literary festival, but it was also fun.

I'm honoured to have been part of it.**

No doubt those of us on the advisory committee will be debriefing over the next few weeks, in preparation for a repeat performance next year. There will be some bugs to iron out and many new ideas to pursue. I'm hopeful that 2008's WORD will be an even bigger and better experience than this year's. And I hope that many people who, like me, yearn for a literary experience that's a little out of the ordinary, will come along to see what all the fuss was about.

*For me, WORD ended very late last night in a tiny karaoke bar on Hindley Street. Thanks to a particularly enthusiastic rendition of "Doctor Doctor", I may never sing again. (The world cheers.)

**Heartfelt thanks to everyone who came to my sessions and the "Strange Bedfellows" masterclass I took yesterday. Thanks to Fiona McIntosh for being such a fun co-presenter. And thanks to Sandy Verschoor and Christie Anthoney for inviting me along for the ride. It's been wild!
adelaidesean: (magritte)
I've been skimming through The Resurrected Man in recent days, preparing for my WORD masterclass next week.

Two things stand out so far.

(1) TRM is a novel about a metaphorically reborn, formerly white-haired man who embarks on a quest to fill in the blanks of his life while thinking himself guilty of a terrible crime. Saturn Returns is a novel about a metaphorically reborn, formerly white-haired man who embarks on a quest to fill in the blanks of his life while thinking himself guilty of a terrible crime.

(2) On p60 of the HarperCollins edition of TRM, and at many other points throughout, the female lead tells herself: Don't think. Just do. At least once in the first draft of The Force Unleashed, the male lead gives himself the same advice in exactly the same words. As I wrote the latest instance, I remember thinking that I had written those words before, somewhere. I even went back and checked the other Star Wars books I wrote, but the lines weren't there. Mildly mystified, I put the matter aside and kept writing.

The Resurrected Man, Saturn Returns and The Force Unleashed could not be more different in execution, style and content. I know there's nothing particularly profound or unique about either overlap, since I'm not the only author to have used that plot or written that line. That would be impossible. Also, it's obviously okay to return to themes more than once: hell, think of all the times I've written about broken families, the future of humanity, and very big explosions, and I've never once had a qualm!

But this time, these two have left me a little wobbly.

Why? Well, it's not that I think I haven't learned anything new in the twenty-plus novels between TRM and the latest two, or that I have nothing to offer my characters and readers than the same stuff I was trotting out ten years ago (although it's probably true that I should get out more).

What worries me is this: how could I find it so easy to forget the second book I ever sold?

Maybe I really am just getting old. :-)
adelaidesean: (It)
I've been quiet lately, for which I apologise. (Writing 100,000 words in four weeks doesn't leave time for much else, although somehow I did manage to buy a house in there too. More on that later.) I just thought I'd quickly point out a couple of official appearances I'll be making in the coming months.

WORD: 21-23 March
This is the inaugural writers' festival for the Adelaide Fringe. Other guests include Anna Funder, Richard Flanagan, Shaun Tan, Fiona McIntosh and D M Cornish. I'm in the spotlight for a "Meet the Author" on the 21st, an industry panel with Fiona McIntosh on the 22nd, and a masterclass on the 23rd. If you're in town for WOMADelaide, the film festival or the rest of the Fringe, come along! WORD is going to be a hoot, with highlights such as "Read Dating", poetry and prose slams, performances by actors of authors' work, and other fun events to look forward to.

Sydney Writers Festival: 28 May - June3
The program will be announced April 14. I'll post the details here when they are official.

Also, the Australian Society of Authors is running elections for its Board of Management. I've put my name forward, so if you're a member of the ASA and are thinking of voting...well, you have been warned. :-)

* The subject line, btw, is a tip of my hat to the spoken intro to Frank Zappa's live performance of "Cheepnis", in which he talks about B-grade monsters emerging from their lairs to do battle with a movie's wide-collared protagonist (the inspiration for my current userpic.) This is a bit how I feel at the moment. I can be a bit of a cave-dweller at times, especially when I'm working to a tight deadline. Hopefully life can now get back to normal...
adelaidesean: (haiku)
... for interviews, apparently.

Steve Wilson of Space Archaeology fame has pinned me down on the issues of Geodesica, Saturn Returns and all manner of interesting subjects. His site is fantastic, too, combining as it does two of my personal favourite things (like Haighs dark chocolate almonds). You should check it out while you're there.

And:
While it's always nice to see newer books getting attention, it's wonderful too when old books keep on keeping on. HarperCollins' edition of The Prodigal Sun has just gone into its sixth reprint here in Australia, for which I am extremely grateful.

And and:
Today marks the launch (at which I'll be speaking, briefly) of Adelaide's newest literary festival: the Fringe WORD festival, which will be unleashed upon the world next March, to coincide with the Adelaide Fringe's first year as an annual event. This comes hot on the heels of several other relatively recent gathering points for writers and readers that I've also been involved in, including the Salisbury Writers' Festival, the SA Writers' Festival, and of course the increasingly national Big Book Club/Little Big Book Club events. Perhaps there really is something in the water down here.

(Update: I've now uploaded my speech as a comment to this post.)

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