adelaidesean: (pirate)
First there was "The One", and then there were the spherical Void ships in Doctor Who, so obviously ripped off Geodesica. Now it's Ron "BSG" Moore's new show, Virtuality, which revolves around the crew of a long space mission whose everyday interactions are being filmed (against their will) for a reality TV show broadcast back home. Could that sound any more like "The Soap Bubble"?

I am joking about suing, of course. There are no new ideas. Still, word that Virtuality might be canned before it's even begun makes me unhappy. I still think it's a good idea.
adelaidesean: (hanging mountains)
Some quick things before I go quiet for a few days:

The Hanging Mountains has been selected as a BookSense Notable Book for July, when the beautiful Pyr hardback comes out in the US. Woohoo!

Echoes of Earth has just reached its fourth reprint here in Australia.

Deepspace's "The Barometric Sea", which you can stream from the link below, is my favourite music to write to at the moment. I used some of this composer's wonderful work during the reading of "The Soap Bubble" last year. Fans of ambient electronic and space music will approve. Go listen!
adelaidesean: (pirate)
Earlier this year, at Conflux, I was granted a unique opportunity. I'm not talking about interviewing Sir Arthur C Clarke, although that was another special moment from the same con. I'm referring to the reading of my sci-fi musical, "The Soap Bubble - A Space Opera", by a hand-picked cast consisting of some of this country's greatest writers, artists and editors, all giving up their spare time and energy to the project in a feat of generosity and goodwill for which I will forever be grateful:

Astrogator Jane Foo-Wong - Deborah Biancotti
Morale Officer Alek Maas - Simon Brown
Captain Gabe McKenzie - Richard Harland
Uncle Warren & The Alien - Rob Hood
Corporal Sarah Mravinsky - Cat Sparks
Security Chief Andre Passant - Nick Stathopoulos

Based on my novella "The Soap Bubble", first published in Alien Shores in 1994, the play version was a project fronted by Bluetongue Theatre director and old friend Catherine Adamek. With funding from Arts SA, and the help of dramaturge Sean Reilly and Phil Spruce, we knocked together a working draft in early 2003, then sent it to various places (such as Playlab) for feedback. The draft performed in June was the latest, and could be described as a deep space First Contact story with a reality TV edge.

Music doesn't currently exist for the songs, but a theme for the show-within-a-show does, as written by me and orchestrated for the reading by Jack Reineckie (this version) and Robert Dobson. Other incidental music used in the performance was written by Mirko Ruckels.

I'm a big believe in collaboration and community. The reading of "The Soap Bubble - A Space Opera" was a celebration of both. I will be eternally in debt to everyone involved: the readers, the musicians, Trevor Stafford for giving me a prime slot at his excellent con, and to the audience for coming along and, afterwards, offering suggestions on how the script could be improved. It all added up to a wonderful experience that I doubt will ever be equalled.

It was also fracking hilarious. Hurrah!

alive

Jul. 1st, 2006 09:26 am
adelaidesean: (dog collar)
Just a quick note to say that I'm still here and intending to post properly soon. June was a hectic month, thanks mainly to finishing the first draft of Saturn Returns, editing the copy edited ms and final pages of The Devoured Earth on very tight deadlines and attending Conflux (which included the world premiere reading of the "Soap Bubble" script and interviewing Sir Arthur C Clarke via satellite). All are fabulous things to have done, but I'm glad it's now July and things are starting to slow down.

Attending Conflux reminded me, as cons always do, of the importance of the community down here to my sanity, if not my health. "A solitary human being is a contradiction in terms," said Archbishop Desmond Tutu in New Scientist recently. "You are human precisely because of your relationships; you are a relational being or you are nothing." That's been an important principle for me in writing the new space opera, just as it is in life. It's been hard sometimes in the last year or two to keep up with friends, so being in Canberra, busy as it was, provided a wonderful opportunity to do that.

One more thought to close with. Saturn Returns features quotes from Robert Charles Maturin's gothic masterpiece Melmoth the Wanderer. Here's one I didn't use, and which could apply to a certain great debate at a certain con, and to certain men who are clearly having trouble growing up:

"[I]n early youth superiority of depravity always seems like a superiority of power."

:-)

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